Film forgives a lot, but not everything. How to get it right, frame after frame.
Written by Arch Club, which shoots only on film.
With colour and black and white negative film, too much light is far safer than too little. Overexposed negatives still print well. Underexposed shadows are simply empty.
In bright sun, set the aperture to f/16 and the shutter speed to one over the film speed. Then open up as the light softens.
| Light | Aperture | ISO 100 | ISO 400 |
|---|---|---|---|
| Bright sun | f/16 | 1/125 | 1/500 |
| Slight haze | f/11 | 1/125 | 1/500 |
| Overcast | f/8 | 1/125 | 1/500 |
| Heavy cloud | f/5.6 | 1/125 | 1/500 |
| Open shade | f/4 | 1/125 | 1/500 |
A free phone light meter app is a good middle ground, usually close enough for negative film.
A members' club for foot photography, shot only on film.
Every Arch Club photograph is made on a Canon EOS-1V, a Mamiya 7 or a Fuji GW690II, with real models in New York and never AI. Members receive new film photographs every month, and collectors can own the original negative, sealed in display resin with a print of their choice.
Anyone can find a picture. Few will ever hold a photograph.
Visit Arch ClubPublished by Arch Club, Brooklyn, New York.